Memorabilia
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Dates2010 - 2014
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Author
Painter Emese Kudász died on 22 November, 2010.
Painter Emese Kudász died on 22 November, 2010. In the years that followed, her son Gábor Arion Kudász catalogued her entire estate, so as to establish a guide to the workings of memory. The artistic research disrupted the order she had created, something that surrounded her and was distinctively her own. Through the cracks of this disrupted order, hidden aspects of her personality emerged, together with a previously unrealized coherence among her objects; it is no longer possible to tell whether these had existed before or were only the result of the intervention. The structure of the estate itself encouraged the creation of collections as it comprises very individual, occasionally downright extravagant, corpuses forming the backbone of an exhibition and the accompanying book: hundreds of four-leaved clovers pressed between newspaper, wardrobe items kept by seasons and colors, bookshelves, printing blocks of an aged catalogue and endless personal objects, messages from the grave.
The complete work contains hundreds of such 'collections'.
The order of things – according to Memorabilia:
a) Personal effects, mostly personal items that bear the warmth of the significant person’s hand, keep her scent, their surface was worn by her gaze. On their own, these objects are often without value and interest; they are not even individual, do not directly refer to their owner — yet an assemblage of mementoes of this kind makes the taste, habits, lifestyle and spirit of the subject of remembrance recognizable.
b) Things considered suitable to be tokens of remembrance, and marked as such. Both the rememberer and the subject of remembrance have agreed to elevate them above similar objects.
c) Real memorabilia, objects for remembrance, mementoes. Articles produced in multiple copies with the express function of serving as triggers of memory, which can be identified with the subject of memory only through an image or name.