All the colours within this pitch-black darkness

After my 18-year-old brother’s sudden death in 2024, I began photographing my family and his classmates to explore how absence becomes part of daily life—and how grief reshapes memory, identity, and the ways we continue to carry those we lost.

A speck of dust for the universe
Turns into a lumineer
When one gets thrown in the air
And creates a heavenly storm

In contemporary society we rarely face the reality of death or the finite nature of life as openly as our ancestors once did. We live with a quiet assumption that there will always be time, that growing old is a given, and that death is far away. Grief, once a shared and visible experience, has become something we avoid—a taboo.

This project is deeply personal. In the spring of 2024, I lost my 18-year-old brother in an accident. For my mother, this marked the devastating loss of the youngest of her four children. Such a tragedy is impossible to prepare for; it leaves us grappling with countless questions beyond just "why." The pain, almost unbearable, shakes the foundation of our beliefs, our faith in life, and our sense of normalcy. The grieving process is long, perhaps lifelong, and life itself becomes something entirely new to navigate.

Since then, I have been photographing both my family and my brother’s classmates during their senior year of high school. This was meant to be a time of milestones—prom, graduation, choosing a career path, stepping into adulthood. We were supposed to share these experiences together, but instead I witnessed and documented them through his absence. His peers, determined to honor his memory, created new ways to keep him present as they fulfilled the dreams he once held, and they are committed to ensuring he remains present in spirit as they move forward with their own lives.

The photographs I present here capture these traces of grief and resilience: how absence becomes part of everyday life, how memory survives in gestures, objects, and rituals. They reflect not only the sorrow but also the strength that emerges in the wake of loss.

This series forms the first chapter of a larger body of work I am committed to pursuing in the years ahead. What started as an intimate attempt to understand my own grief has become the foundation for a long-term exploration, in which I also plan to meet others carrying similar losses. I want to examine how grief leaves its marks not only in memory, but in the body, in identity, and in the quiet rituals of everyday life. This work is not about death itself, but about the transformations that follow it—the ways the presence of those we have lost continues to shape who we are.

© Noémi Napsugár Melegh - Image from the All the colours within this pitch-black darkness photography project
i

Hundreds of people attended my brother's, Bálint's funeral. The picture captures one of the final moments of the service, when my mother releases our final messages to my brother together with the blue, red and white balloons.

© Noémi Napsugár Melegh - Image from the All the colours within this pitch-black darkness photography project
i

My mother, Hilda, is sitting in my brother's bed, wearing one of her favourite shirts. He wore it on our last family holiday together. She was able to enter his room for the first time 9 months after the accident.

© Noémi Napsugár Melegh - Image from the All the colours within this pitch-black darkness photography project
i

Bálint was called “the smile of the school” in high school. In his memory book, a friend said: “he was a role model for me on how to make the most of being here."

© Noémi Napsugár Melegh - Image from the All the colours within this pitch-black darkness photography project
i

The photo was taken at last September's freshman camp, the class partying on the last night, while the summer breeze lifts the curtains at the other end of the room.

© Noémi Napsugár Melegh - My mother picks out my brother's favourite clothes.
i

My mother picks out my brother's favourite clothes.

© Noémi Napsugár Melegh - One of Bálint's closest friends, Liza, got herself a tattoo symbolising the eternal connection between body and soul.
i

One of Bálint's closest friends, Liza, got herself a tattoo symbolising the eternal connection between body and soul.

© Noémi Napsugár Melegh - His friends at the freshmen camp, holding the roosters my brother has envisioned.
i

His friends at the freshmen camp, holding the roosters my brother has envisioned.

© Noémi Napsugár Melegh - His friends hung his football jersey on the classroom wall and placed handwritten messages in a bottle.
i

His friends hung his football jersey on the classroom wall and placed handwritten messages in a bottle.

© Noémi Napsugár Melegh - My brother’s girlfriend makes memory bracelets for her classmates.
i

My brother’s girlfriend makes memory bracelets for her classmates.

© Noémi Napsugár Melegh - The class prepares for the prom, practising the steps of the waltz.
i

The class prepares for the prom, practising the steps of the waltz.

© Noémi Napsugár Melegh - Image from the All the colours within this pitch-black darkness photography project
i

In the pine forest, Janka, Bálint's love, remembers where they used to walk together on sunny afternoons. Talking about yesterday, about childhood memories, their daily lives intertwined.

© Noémi Napsugár Melegh - My mother, sister, and my brother's friends at my brother's grave during the first Christmas after his passing.
i

My mother, sister, and my brother's friends at my brother's grave during the first Christmas after his passing.

© Noémi Napsugár Melegh - My mother in her room.
i

My mother in her room.

© Noémi Napsugár Melegh - Janka, my brother’s girlfriend and her friends at the dress fitting just before prom. They were meant to dance together.
i

Janka, my brother’s girlfriend and her friends at the dress fitting just before prom. They were meant to dance together.

© Noémi Napsugár Melegh - Two of my brother’s best friends are preparing for graduation, wearing my brother's tie for the ceremony.
i

Two of my brother’s best friends are preparing for graduation, wearing my brother's tie for the ceremony.

© Noémi Napsugár Melegh - My brother’s classmates are going for the graduation ceremony.
i

My brother’s classmates are going for the graduation ceremony.

© Noémi Napsugár Melegh - The class has a school leaving party at the end of the year.
i

The class has a school leaving party at the end of the year.

© Noémi Napsugár Melegh - His friends are looking at the book which has all their memories with my brother.
i

His friends are looking at the book which has all their memories with my brother.

© Noémi Napsugár Melegh - The last summer camp before his classmates go to university.
i

The last summer camp before his classmates go to university.

© Noémi Napsugár Melegh - Image from the All the colours within this pitch-black darkness photography project
i

Every day my mother makes the trip to the cemetery, bringing fresh flowers to Bálint's grave. My sister, brother or I often accompany her.