Réhahn by Sylvain Ledda

  • Author
    Sylvain Ledda
  • Publisher
    Éditions Hermann
  • Price
    €49
  • Link
  • Pages
    192
  • Dimensions
    24 × 31 cm
  • Characteristics
    Hardcover, French language, 74 photographs by Réhahn
  • ISBN
    9791037049681
  • Published
    November 2026
  • User

A biography in images of French artist Réhahn by Sylvain Ledda, professor at the University of Rouen Normandy. Through 74 photographs, the book explores twenty years of work, from portraiture and cultural research to Impressionist photography.

Réhahn is a biography in images written by Sylvain Ledda and devoted to twenty years of work by French fine-art photographer Réhahn. Scheduled for publication on 12 November 2026 by Éditions Hermann in Paris, the French-language hardcover brings together 74 photographs and a text that follows the artist's evolution through encounters, literature and changing ideas of what photography can express.

Rather than organizing the work as a conventional chronological retrospective, Ledda uses six thematic sections: Crossing, Contemplating, Feeling, Seeing, Sharing and Legacy. These headings allow images from different periods to enter into conversation. Réhahn's childhood in Normandy, his life in Hội An, relationships formed through portraiture and his long-term cultural research in Vietnam are considered alongside the visual questions that have occupied his later work.

Ledda is Professor of French Literature and Arts at the University of Rouen Normandy, known for his scholarship on Romanticism, Alfred de Musset and Alexandre Dumas. His exchanges with Réhahn began in 2024 through their shared interest in Musset and expanded into conversations about the relationship between literature, memory, artistic practice and the visual image. The book reflects this interpretive perspective rather than presenting itself as a photographic catalogue.

The selection traces a development from Hidden Smile and Ageless Beauty to the artist's engagement with Vietnam's 54 ethnic groups and the creation of the Precious Heritage Museum in 2017. It also follows the gradual widening of his attention toward crafts, natural materials, rice fields, reflections and changing light. These experiences contributed to his more recent Impressionist photography, in which the conditions of a scene, such as movement across water or the bending of light through heated air, produce painterly effects at the moment of exposure, without digital manipulation.

Across these different periods, Ledda identifies continuities in Réhahn's attention to people, the passage of time and the fragile nature of moments. Instead of treating portraiture, cultural research and Impressionist photography as separate activities, the book examines how each phase shaped the next, offering a reading of the artist's changing visual language and the ideas underlying it.


The French hardcover edition is scheduled for publication by Éditions Hermann on 12 November 2026, with 192 pages and 74 photographs. A separate English-language edition, translated by Molly Headley and published in Vietnam, has a worldwide release scheduled for November 2026. This edition contains 154 pages and 75 photographs and is available as a signed hardcover through the artist's official website.

Réhahn by Sylvain Ledda. Front and back cover mockup of the French hardcover edition, Éditions Hermann, 2026.
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Réhahn by Sylvain Ledda. Front and back cover mockup of the French hardcover edition, Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview from Réhahn, featuring Madam Ha (2021) alongside Sylvain Ledda's text on colour. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring Purple Hands (2013), from the section on heritage and cultural transmission. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring From The Sky (2014), from the section titled silence, combining photography and Sylvain Ledda's writing. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring Life Trace (2021), from the section titled silence, combining photography and Sylvain Ledda's writing. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring Cuban Time (2015), from the section devoted to Cuba, one of the places that shaped Réhahn's artistic development. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring Game of Silence (2024), from the section titled photographie, exploring the relationship between artistic practice and visual influences. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring Resting Gold (2021), from the section titled silence, combining photography and Sylvain Ledda's writing. Éditions Hermann, 2026.

Image from a project on PhMuseum
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Interior layout preview featuring Flame II (2022), from the section titled impermanence, exploring the fleeting conditions of light, movement and perception. Éditions Hermann, 2026.

Image from a project on PhMuseum
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During the pandemic, while photographing fishermen in Hội An for The New York Times, Réhahn met Madam Ha near a temple. She waved him over and invited him for tea, beginning a lasting friendship. At 85, she held a small cup beneath her nón lá, her smile full of vitality. She believed tea contributed to her long life. Madam Ha, 2021, Vietnam. © Réhahn

Image from a project on PhMuseum
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A red fan opens across a figure whose face is concealed beneath a conical hat. Against the black background, the composition is reduced to gesture, outline and colour. Drawing on Japonisme and the graphic language of Japanese woodblock prints, Carmine explores how traditional forms can become an almost abstract arrangement of colour and space. Carmine, 2022, Vietnam. © Réhahn

Image from a project on PhMuseum
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A woman mends an emerald-green fishing net in Hội An, its sweeping folds surrounding her figure. Her pink clothing provides a subtle contrast within the expanse of green. The photograph connects Réhahn's interest in Vietnam's artisanal traditions with his evolving exploration of colour, texture and abstraction. Into the Wave, 2020, Vietnam. © Réhahn

Image from a project on PhMuseum
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A woman works among coconut fibres that rise into the sunlight. Fine particles fill the space between her and the camera, partly dissolving her figure into gold. The image is formed by the craft itself: strands momentarily suspended before settling again. Dream Dust, 2025, Vietnam. © Réhahn

Image from a project on PhMuseum
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A fisherman draws his net along the shore as shallow water briefly mirrors his movement. The tide stretches and breaks the reflection into bands of light and colour. What appears almost painted is created by the meeting of moving water, sand and a single working gesture. Tidewoven, 2025, Vietnam. © Réhahn

Image from a project on PhMuseum
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A figure working in a rice field appears through the wavering air above burning straw. Blue and orange meet in a composition whose outlines are unsettled by heat. The visual transformation occurs in front of the camera, as rising air changes the way light reaches the lens. Blue Flame, 2024, Vietnam. © Réhahn