Permission

A collection of Noodscapes (nude-landscape photography) captured across Australia through the female lens of Lauren Crooke.

Permission is the second collection in a body of work originally inspired through my incongruence of studying Western Art (the Renaissance) and the start of the #metoo movement.
Learning about a cultural pillar of men imagining, painting, and ultimately portraying women how they perceived them - lifeless, often missing bones, naked, succumbing - and more and more women were saying "me too". I recognised the importance of art creating change and wondered how women would be portrayed through the female lens.

Since then, I have been creating art that empowers viewers and participants alike, showing women and non-binary bodies how they deserve to be seen, heard and represented.

Each image in this collection is created from a community-based event where participants volunteer to be a part of the shoot, and the Nood community continues to grow. I create the in the hopes they hang on walls where people gather and children run. They are intended to incite conversation, raise awareness about gendered sexual violence, oppression, and inequality, and promote body diversity representation and changing perspectives from the patriarchal male gaze. 


The collection empowers participants and viewers alike; galvanising community, inciting conversations, increasing awareness

© Lauren Crooke - PERMISSION (2022)Whadjuk Noongar Boodja St Georges Terrace,Perth CBD. Peak hour. No Permits
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PERMISSION (2022)Whadjuk Noongar Boodja St Georges Terrace,Perth CBD. Peak hour. No Permits

© Lauren Crooke - Image from the Permission photography project
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SIRENS (2022)Whadjuk Noongar Boodja. Elephant Rocks, Denmark. A westernart inspired depiction of ocean sirens. A shot that required totalcamaraderie to get to, like a train of bodies, hand in hand,helping each person to carefully climb and squeeze througheach rock

© Lauren Crooke - TO NO END (2021)Whadjuk Noongar Boodja Waneroo RidingCentre. Horses do not stand still.
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TO NO END (2021)Whadjuk Noongar Boodja Waneroo RidingCentre. Horses do not stand still.

© Lauren Crooke - Image from the Permission photography project
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GOD IS WOMAN (2021 - TRIPTYCH)Whadjuk Noongar Boodja. Core Cider, PickeringBrook. A cold morning, snake phobias challenged, andan exploration of Western Art symbolism

© Lauren Crooke - Image from the Permission photography project
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KNOWLEDGE IS POWER (2022) Naarm. State Library of Victoria, Melbourne CBD. Silence,except the quiet humm of happy and free nude peoplechatting. 8 individual images stitched into one to fit in theenormity of the space. Lauren's first and only square crop.

© Lauren Crooke - BOYS WILL BE BOYS (2021)Whadjuk Noongar Boodja. Rooftop Cinema, PerthCBD. Sunrise, International Women's Day, thefooty pose.
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BOYS WILL BE BOYS (2021)Whadjuk Noongar Boodja. Rooftop Cinema, PerthCBD. Sunrise, International Women's Day, thefooty pose.

© Lauren Crooke - CONQUER (2020) Whadjuk Noongar Boodja. Grey Dunes, Pinnacles. A conceptbrought to perfect fruition.
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CONQUER (2020) Whadjuk Noongar Boodja. Grey Dunes, Pinnacles. A conceptbrought to perfect fruition.

© Lauren Crooke - SHINE UPON (2021)Whadjuk Noongar Boodja. Walyunga National Park.Sunset and some perfect timing.
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SHINE UPON (2021)Whadjuk Noongar Boodja. Walyunga National Park.Sunset and some perfect timing.

© Lauren Crooke - GOOD GIRLS (2021)Whadjuk Noongar Boodja Perth Girls School. Standingin rain and hail.
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GOOD GIRLS (2021)Whadjuk Noongar Boodja Perth Girls School. Standingin rain and hail.

© Lauren Crooke - Image from the Permission photography project
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GUARDED (2023)Ngarangwal. Lifeguard tower 34A, Surfers Paradise, GoldCoast. Undercover police and council authorities. An iconicshoot, and the first in history where participants needed tocover their body parts to do the nood shoot.

© Lauren Crooke - Image from the Permission photography project
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THE PEOPLE VS THE CHURCH (2022)Gadigal Country.St Mary's Cathedral, Sydney. Underheavy surveillance, security and police,3 minutes to get the shot

© Lauren Crooke - Image from the Permission photography project
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LIGHTS WILL GUIDE YOU HOME (2021)Whadjuk Noongar Boodja. The Lighthouse,Hillarys Boat Harbour. Sea salt spray and circlingboats.

© Lauren Crooke - Image from the Permission photography project
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Untitled (2018)The first ever Nood shoot aiming to look at the relationship between the depiction of female bodies in Western Art and how that hasultimately influenced a very long standing societal perception of objectifying women through the male gaze.

© Lauren Crooke - Image from the Permission photography project
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READY AND WAITING (2022) Whadjuk Noongar Boodja. Elephant Rocks,Denmark. It finished with a joyful Noodie run intothe water. Together.

© Lauren Crooke - THE POOL (2020) Whadjuk Noongar Boodja Bell's Rapids at sunset. Warmsun, new beginnings.
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THE POOL (2020) Whadjuk Noongar Boodja Bell's Rapids at sunset. Warmsun, new beginnings.

Permission by Lauren Crooke

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