Iconic Portraits

  • Dates
    2011 - Ongoing
  • Author
  • Topics Portrait, Fine Art
  • Locations Cuba, Vietnam, India

From Hidden Smile and Ageless Beauty to portraits made in Cuba and India, this selection explores Réhahn’s interest in human connection, individual character and the fleeting expressions that shape each photograph.

Iconic Portraits brings together a selection of Réhahn's photographs made in Vietnam, Cuba, India and other countries throughout his career. Drawn from different series and encounters, these portraits share an interest in human expression, individuality and the relationships that develop between the photographer and his subjects.

For Réhahn, portraiture begins with interaction rather than the camera. Conversation, patience and mutual trust are essential to his approach. He often spends time getting to know people before photographing them, sometimes returning several times as relationships develop. Not every encounter results in a photograph. He believes that understanding a person, respecting their boundaries and allowing moments to unfold naturally are more important than directing a particular expression.

This approach is particularly evident in Hidden Smile, a series that began in 2011 following his encounter with Madam Xong, a boatwoman in Hội An. The recurring gesture of covering the mouth while smiling draws attention to the eyes and hands, revealing emotions that extend beyond the visible smile. Through these portraits, Réhahn explores how gestures can communicate joy, shyness, humour and other feelings that are not always immediately apparent.

Another significant aspect of his portraiture is explored in Ageless Beauty, a project that challenges conventional perceptions of beauty and aging. Rather than concealing wrinkles or the physical marks of time, Réhahn considers them part of a person's identity. The faces and hands of older generations carry traces of their experiences, work and memories. His photographs invite viewers to reconsider the value placed on youth and to recognise beauty in different stages of life.

Across different generations, countries and cultural backgrounds, these portraits reflect a consistent approach to human interaction. Photography becomes a means of encountering people rather than simply recording their appearance. Each image preserves a particular expression or gesture, while suggesting a personal story and a relationship that extend beyond the frame.

© Réhahn - Image from the Iconic Portraits photography project
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In 2015, Réhahn met seven-year-old An Phuoc, known locally as the “cat-eyed girl” for her striking blue eyes. Her family, wary after a difficult experience with a journalist, initially declined a photograph. After several visits, trust grew into a lasting friendship. Réhahn later supported the family through his Giving Back Project. An Phuoc, 2015, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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Her name is Hanh, but everyone calls her Ba Sau. Once an ice-cream vendor in Hội An, she has always enjoyed making people happy through singing. In this portrait, she exhales a cloud of tobacco smoke, a familiar habit among older generations. Her eyes and playful expression emerge against the deep blue background, revealing her character in an ordinary moment. Ba Sau, 2017, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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Madam Xong, a boatwoman in Hội An, giggled and covered her mouth when she saw her first portrait. Réhahn took a second photograph as she hid behind both hands. That image became the cover of Vietnam, Mosaic of Contrasts and was presented to President Emmanuel Macron as an official gift from Vietnam in 2018. Their encounter grew into a lifelong friendship. Hidden Smile, 2011, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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During the pandemic, while photographing fishermen in Hội An for The New York Times, Réhahn met Madam Ha near a temple. She waved him over and invited him for tea, beginning a lasting friendship. At 85, she held a small cup beneath her nón lá, her smile full of vitality. She believed tea contributed to her long life. Madam Ha, 2021, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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While photographing children in Mèo Vạc, Réhahn noticed a Hmong woman lighting her long wooden pipe. He asked if she could produce more smoke. Surprised by his unusual request, she burst into laughter. The resulting portrait captures the humour and spontaneity of an unexpected encounter. Laughing Time, 2013, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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Ly Thi Bau, a Hmong woman from Mù Cang Chải, reveals her hands stained violet by the indigo dye used in her handmade textiles. The gesture draws attention to both her expression and the traditional craftsmanship behind the striking colour. This portrait belongs to Réhahn's Hidden Smile and Indigo series. Purple Hands, 2013, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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In Phan Rang, Réhahn photographed Duong Thang, a 96-year-old Cham shaman and the only person in his village still able to read and write the Cham language. Absorbed in an old book, he represents a fragile link to knowledge passed down through generations. Réhahn's own fascination with old books finds a natural connection in this encounter. The Thinker, 2019, Vietnam. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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In Havana, Réhahn was struck by Elva’s crown of red flowers and commanding gaze, reminiscent of Frida Kahlo. She was 73 when they met near La Bodeguita del Medio. After he offered her a Cohiba cigar, they spent over an hour together. He returned to visit her on later trips, and her portrait was later featured in a 2023 collaboration with French luxury house Elie Bleu. Elva, 2013, Cuba© Rehahn

© Réhahn - Image from the Iconic Portraits photography project
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A pink shirt and straw hat first caught Réhahn's attention when he met Daniel, 85, in Cuba. Over a cigar, Daniel shared an unexpected connection: he had worked as an engineer in Vietnam in 1975, helping build a hotel in Hanoi. Their conversation grew into a friendship sustained by Réhahn's return visits. Daniel, 2016. Cuba. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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During a train journey outside Havana, Réhahn noticed Francisco sitting against a green wall. He was smoking a cigarette, so Réhahn offered him a cigar instead. Francisco agreed, introduced his friend Emilio, and the three watched trains pass while talking and smoking. Their spontaneous exchange became this portrait. Francisco, 2012, Cuba © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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On the banks of the Ganges in Varanasi, Réhahn met a young boy and his older brother. Dressed as the Hindu deity Krishna, the boy's blue-painted face and delicate markings contrast with his calm, direct gaze. Réhahn remained in contact with the family, later including them in his Giving Back Project. The portrait also appears in his book 100 Iconic Portraits. Krishna, 2019, India. © Réhahn

© Réhahn - Image from the Iconic Portraits photography project
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In a temple in Jaipur, India, Réhahn photographed a Hindu holy man whose golden-lit face and intense gaze give the portrait its striking presence. The interplay of light and expression creates an almost otherworldly atmosphere. The photograph was later chosen for the cover of The Collection, Réhahn's sold-out limited-edition photography book. Namaste, 2014, India. © Réhahn

Iconic Portraits by Réhahn

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